 |
|
Nicholl finalist, semifinalist,
and quarterfinalist scripts currently hosted on The Black List website.
We've now updated that list, and
over 170 2015 Nicholl scripts are now hosted on the site. You can read
each script by clicking the links below, as long as you've already
logged into the site.
FINALISTS: ANGEL ON THE WALL by Lynn Esta Goldman FAR FROM COOL by Augustus Rose THE SECRETS WE KEEP by Ryan Covington SEMIFINALISTS: A FAMILY by Daniel Johnson A LETTER FROM ROSEMARY KENNEDY by Nick Yarborough A RESTORATION COMEDY by Linda Caryn Jenkins ABADDON by Tucker Forbes ARCHER by Joel Dorland ASTER'S RITES by Sabrina Doyle AUGUSTUS by Ahmadu Garba BOY IN A BACKPACK by Bradley Martocello BURAQ by Maazin Kamal CHARLIE - MANSON ON THE RECORD by Travis Larson CIRCLE IN THE WATER by Michael Thomas Daniel CITY OF WIND by Ike Smith CONTAINED by Donald Lee COUNTERINTELLIGENCE by Kristen Davila DARKEN SHIP by Dee Chilton DO YOU WANNA TALK ABOUT IT? by Michael Boyle DONE ALREADY GONE by Nichol Simmons FOLLOWERS by Tim Marshall GUILBOLA by Suzanne Barber GUNN by Matthew Dixon I AM BECOME DEATH, DESTROYER OF WORLDS by Luke Georgette INTELLIGENT LIFE by Bruce Luchsinger JACOB'S OCEAN by Jan D. Evans KANE by Evan Menzel LIVING ON THE EDGE by Bill Brennenstuhl LORD OF THE WOODS by H.A. Young MALINALLI by Tory Haslinger METER MAIDEN by Ryan Liske NIAGARA FALLS by Amanda Toye ONU by Alex Berger OTZI by Todd Condie OUT OF STEP by Tony Hamilton-Shannon POLARISED by Caroline Dean POSSUM by Andrew Farotte RATCATCHER by Augusto Federico Amador/Diggi Singh SATTAR by Kafia Haile SERENITY'S CROSS by Giovanni Taveras SHARK TOOTH SNAKE FANG by Ben Shupe SILENT NIGHT by James Luckard SINBAD AND THE SKY THIEVES by Joey Ernand SUMMER OF THE GUN by Evan Menzel TALK SHOW HOST by Jake Blandford TERM LIMITS by Spencer Janes THE AUSTRALIAN by Harley Stroh THE CONTRARIAN by Brady Nelson THE DESCENT by Varun Bhuchar THE EXECUTIONER by Danielle Barros THE HIGHWAY MAN by Joseph Foulk, Casey Stegman THE HUNTERS by Karl Shefelman THE KEEPER by Bryan DeGuire, Seth Goldsmith THE PUNISHING BUSINESS by Sarah Skibinski THE SHOOK ONES by Kevin Caruso THE VOLUNTEER by T.A. Snyder THE WASHING AWAY OF WRONGS by Joanne Lalli THE WICKED FOES OF JOHN DELOREAN by Scott F. Butler THE WORLD BEFORE US by Brianne Kober VERMILION by George V. Ghanem WHEELMAN by Jeremy Rush QUARTERFINALISTS: 0 TO 5 by Matt Harry A GENTLEMAN OF GOOD HOPE by Christina Hulen A LOSING GAME by Lauren Greer ALL OF HER LIFE by Jeff Shevlowitz ALTITUDE by Marc Fienberg AMERICAN DREAMS by Nico Monetti ANARCHY by Andrew Brotzman ANOMALIES by Ursula Ellis BETTER by Celia Finkelstein BIG RED by Brennig Hayden BLIND DOG TRAVELS by Katharine J. Yee BOOM TOWN by Evan Graham BRATS by T. Jane Tyler BY SHEL SILVERSTEIN by Joe Walters CAN'T TURN BACK by Amy Kinzer CHASING ECHOES by William Schreiber CHATTANOOGA by Dan A. R. Kelly CIPHER by M. D. Presley COMPANY TOWN by Logan Thomas COMPATIBILITY by Jack Marchetti DAMNATION by J.S. Britton DANGEROUS PEOPLE by John Bickerstaff DARK SIDE by Michael A. Wright DEAD RECKONING by Michael Corbin Ray, Therese Vannier DESICCATED by Cliff Zimowski DRAMA ACADEMY by Michael Thai DREAMS OF TAO by Warren Wilson ELF FORCE by Jennifer Bonner EPIC FAIL by Thomas Morris ERIKSSON by Matthew Tolbert EXTRACTION by Pete Henderson FACE TO FACE by Jason Pittock FATHER WISHES by Tuck Tucker FELLOWMAN by Brian Smolensky GODS' ISLAND by Kris Kosaka GOOD TIME JOHNNY by Sasha Kahn GROVE DWELLERS by Jeff Malphurs GUNS AND GRACE by Odin Ozdil HEART by Greg Brooks I AWAIT THE DEVIL'S COMING by Andrew Brotzman IN SPITE OF IT ALL by Rebecca Boyd KIDDO by Michael Field KINDERGARTEN by Kimi Howl Lee KING OF FLORIDA by Christina Eliopoulos LADY LUCK AND THE SACRED HEART by Jess Burns LEAVE by AP Quach LIBERTY HEIST by Robert M. Cosci LORD OCKLEY & THE ALIEN by Stan Evans MATA HARI - A MAGNIFICENT LIE by Jan Smith MAY IN THE FIELDS OF WINTER by Roger Winstead METAL & DUST by Justin Calen Chenn MIDWAY KID by Kyle Art MINOTAUR by Anthony DeCapite MODERN LIVING by J. Rick Castaneda MY CLONE'S AN A-HOLE by Julie Anne Wight NEWTON'S LAWS OF EMOTION by Eugene Ramos NOVO ISLAND by Peter Alexander ONE BAD ASTRONAUT by L.A. Longworth PURE EARTH by S. Dawson RELATIVITY by Adrienne Lusby/Emiliana Dore ROUGHSTOCK by Jessica Baclesse S-TOWN by jimi izrael SEA FEVER by Neasa Hardiman SHIP IT by Britta Lundin SIEGE OF MAN by Sun-kyu Park SLOW CHILDREN AT PLAY by Ryan Enright SLUT by Nadeem Siddiqui SNOWFALL by Robert M Languedoc SOMEDAY, OHIO by Anna Maria Hozian SONS OF THE FATHER by Don Matos SPACE RACE by Micheal McAlexander SPEAK OF THE DEVIL by Jesse J Cook SUBCITY by William Zide SUMMERTIME by Truman Capps TANGO WITH SOLITUDE by Maria Hinterkoerner THE ADVENTURE CLUB by Jordan Scott THE BLOODLANDS by Max Wild THE BOW AND THE ARROW by Owen Nicholls THE BUDDY SYSTEM by Nick Moceri THE CLOCKWORK HEART by Scott Mitchell Kelly THE CONTESTANT by Evan Dec THE COURTESAN by Marjory Kaptanoglu THE CROSSROADS by Christopher Sommella THE CULT OF US by Jim Picariello THE EPIDEMIC by Tom Anstead THE FIRST HOLOCAUST by Ted Dewberry THE FLIGHT OF THE WASP by Andrea Brusa THE FLOATING OF HAYES by John Woodard THE HUMAN CONDITION by Elisa Wolfe THE HUNTER & THE HUNTED by Harris Kauffman THE LAST FALL by Cate Honzl, Adam Honzl THE LONG WAY HOME by Jason Pates THE MASTER ADVENTURER by Katherine VanPelt THE MULTIVERSE by Chad Rouch THE ORPHAN DIALOGUES by Max Sznaider THE SCIENCE OF LIES WELL TOLD by Joel Thomas THE STARLIGHT by Dan Southard THE TENANT by Janet J. Lawler THE WASTELANDER by Brentt Slabchuck THE WENDY YEARS (1977-1987) by Quendrith Johnson THE WIFE OF FRANK B by Celine Bennett, Isabel Dréan THE WRONG WAR by Hannah Feller THRACE by M.A. Drayton TIN CAN BUFFALOES by Etienne Sievers UNCONDITIONAL by Kemmy Moran VIXEN THREE by Andrzej Rattinger WEST OF HELL by Kelly Lynn Peters WHITMAN by Steve Warren and Marshall Allman WIDE AWAKE IN BRIDGEWATER by ERIK LEE WILD PITCH by Jacob Paine Krasnow WOLF BOYS by Nathan Patton WORTHY by Mary Griffitts, Ryan Griffitts WRONG by Kimberly Britt ZERO DAY by SEAN MALCOLM |
Friday, October 02, 2015
Wednesday, September 16, 2015
THE 2015 AUSTIN FILM FESTIVAL SEMIFINALIST
BECOMING A SEMIFINALIST IN THE 2015 AUSTIN FILM FESTIVAL
by Janet J. Lawler
Recently, I received one of the best phone calls of my life from the 2015 Austin Film Festival, telling me my original screenplay THE TENANT made the semifinals in Screenwriting.
My cell phone rang while I was working on my new screenplay "Absolution". I glanced at the caller ID -- AUSTIN, TX. I don't know anyone in Austin, Texas. Figured it was just a telemarketer. So, I ignored it. Until, I remembered I had entered the Austin Film Festival screenplay competition months ago. I picked up and glad I did!
Matt Dy, Director of the Screenplay and Teleplay Competition at AFF, introduced himself and said my screenplay THE TENANT was a semifinalist in the Drama Category.
Say what?!
AFF received 8,627 individual scripts in 2015. As a semifinalist, my script now had a 1 in 30 chance of becoming a finalist in Drama.
No way!
I hung up the phone and cried tears of joy. That was a dream call. I've been pounding the keys for years. This was the call writers wait for, but rarely comes. That ONE call to say keep at it -- keep writing -- you're on the right path.
Great to be invited to participate. I booked my flight and hotel to Austin for the Festival and Writer's Conference. Hope to see some of you there! Message me if you're going to be there and we can meet up!
Moral of the story -- keep writing, submit your scripts and always answer your phone! Congratulations to ALL the semifinalists and second rounders and to the AFF Team!
See y'all in Texas!
Here is the link to the semifinalists and second rounders for AFF. http://www.austinfilmfestival.com/2015-screenplay-semifinalists-and-second-rounders/
Be sure to follow The NY Screenwriting Life on Facebook. Janet J. Lawler is a screenwriter, playwright and novelist. Her debut novel From the Ground Up is available in Amazon and Kindle http://www.amazon.com/dp/B00F3CYSU8
by Janet J. Lawler
Recently, I received one of the best phone calls of my life from the 2015 Austin Film Festival, telling me my original screenplay THE TENANT made the semifinals in Screenwriting.
My cell phone rang while I was working on my new screenplay "Absolution". I glanced at the caller ID -- AUSTIN, TX. I don't know anyone in Austin, Texas. Figured it was just a telemarketer. So, I ignored it. Until, I remembered I had entered the Austin Film Festival screenplay competition months ago. I picked up and glad I did!
Matt Dy, Director of the Screenplay and Teleplay Competition at AFF, introduced himself and said my screenplay THE TENANT was a semifinalist in the Drama Category.
Say what?!
AFF received 8,627 individual scripts in 2015. As a semifinalist, my script now had a 1 in 30 chance of becoming a finalist in Drama.
No way!
I hung up the phone and cried tears of joy. That was a dream call. I've been pounding the keys for years. This was the call writers wait for, but rarely comes. That ONE call to say keep at it -- keep writing -- you're on the right path.
Great to be invited to participate. I booked my flight and hotel to Austin for the Festival and Writer's Conference. Hope to see some of you there! Message me if you're going to be there and we can meet up!
Moral of the story -- keep writing, submit your scripts and always answer your phone! Congratulations to ALL the semifinalists and second rounders and to the AFF Team!
See y'all in Texas!
Here is the link to the semifinalists and second rounders for AFF. http://www.austinfilmfestival.com/2015-screenplay-semifinalists-and-second-rounders/
Be sure to follow The NY Screenwriting Life on Facebook. Janet J. Lawler is a screenwriter, playwright and novelist. Her debut novel From the Ground Up is available in Amazon and Kindle http://www.amazon.com/dp/B00F3CYSU8
Monday, September 14, 2015
VOLUNTEERING AT THE LA COSTA FILM FESTIVAL
by Janet J. Lawler
September 14, 2015
I volunteered at the 2015 La Costa Film Festival in Carlsbad, CA last weekend.
I'm new to California and decided to sign up to help out. I've volunteered in the past for the Tribeca Film Festival in NY, so I know the drill -- hand out programs, usher, etc. -- and in return get free movie vouchers to see the latest films and hob nob with filmmakers at the festival.
For La Costa, I decided to throw caution to the wind and volunteer to be a driver. That usually means running errands, shuttling actors, producers and directors back and forth to screening locations, and to their hotel, etc.
The film festival folks handed me the keys to a beautiful, new BMW. Sweet. Ride in style.
My first assignment was to pickup LANCE MACKEY and his dog AMP from the San Diego International airport. I didn't have a clue who Lance was, but I found out after a Google search.
Lance Mackey is from Alaska, an American dog musher and champion dog sled racer. He's a four-time champion of the grueling Iditarod race. That's a 1,000 mile race through the Alaska wilderness!
Lance is the focus of a documentary about his life. It's called THE GREAT ALONE. It screened at the LCFF. Check out the trailer here. http://www.imdb.com/video/wab/vi3092426777/
We had a great half hour chat on the drive. Lance is a cool guy with a passion for his 70 dogs. That's right, 70 dogs! Since I only have one dog, I had to ask how he feeds and cares for 70 dogs. He feeds them kibble, and protein and fat since they're highly active race dogs. They eat fish, beef, lamb, chicken and get plenty of exercise on his massive Alaska property. He has some assistants to help care for the dogs. Lance also runs a kennel and gives dog sled tours these days. He's a unique guy. We talked about his illness (he's a cancer survivor), his comeback to racing, how intense racing is and punishing on his body, and his mental focus in winning races. His dog Amp was behind us in a crate. He's nicknamed "Mr. Hollywood" since he tours with Lance and gets loads of attention from the ladies.
Another assignment was to take actor SEAN MODICA to the airport. Sean is currently starring in the new movie ALL IN TIME. It's about a guy who quits his job to help a band find success. Sean is a charismatic New Yorker and we had much in common. I'm a native New Yorker and it turns out we went to college in the same area (the Hudson Valley in upstate New York). We shared a similar background in that I grew up in NYC and Sean grew up nearby in Westchester. We're both Catholic -- he's Italian and I'm Irish -- but our New York backgrounds gave us plenty to laugh about and discuss from gay rights, to Pope Francis' upcoming visit and breaking into Hollywood as a writer/actor.
Sean is a writer/producer. He's pitching a show in L.A. It was a pleasure meeting him. I hope his starring role in ALL IN TIME brings him great success! Here is the trailer for his movie. http://www.allintimefilm.com/
So, if a film festival is in your town, don't hesitate to volunteer. It's worth your time and you never know who you might meet along the way. Plus, you get a free T-shirt and snacks and movies. What more could you ask for?
Congratulations to all the wonderful volunteers at the 2015 La Costa Film Festival . Also to Co-Founders Michael and Ruby Callihan, Kirsten Reece running Box Office, Suzanne Wright Program Coordinator, Transportation Chief Amy Savoy, and a special shout out to Volunteer Director Rachel Chapman for organizing 180 volunteers! No easy task. Here is the link if you'd like to volunteer: volunteer2014@lacostafilmfestval.org
The filmmakers I met said this was one of the best organized film festivals they've attended.
Way to go, LCFF Team!
See you next year!
https://www.facebook.com/LaCostaFilmFestival
https://twitter.com/LaCostaFilmFest
https://instagram.com/lacostafilmfestival/
Blog: http://lacostafilmfestival.org/blog/
by Janet J. Lawler
September 14, 2015
I volunteered at the 2015 La Costa Film Festival in Carlsbad, CA last weekend.
I'm new to California and decided to sign up to help out. I've volunteered in the past for the Tribeca Film Festival in NY, so I know the drill -- hand out programs, usher, etc. -- and in return get free movie vouchers to see the latest films and hob nob with filmmakers at the festival.
For La Costa, I decided to throw caution to the wind and volunteer to be a driver. That usually means running errands, shuttling actors, producers and directors back and forth to screening locations, and to their hotel, etc.
The film festival folks handed me the keys to a beautiful, new BMW. Sweet. Ride in style.
My first assignment was to pickup LANCE MACKEY and his dog AMP from the San Diego International airport. I didn't have a clue who Lance was, but I found out after a Google search.
Lance Mackey is from Alaska, an American dog musher and champion dog sled racer. He's a four-time champion of the grueling Iditarod race. That's a 1,000 mile race through the Alaska wilderness!
Lance is the focus of a documentary about his life. It's called THE GREAT ALONE. It screened at the LCFF. Check out the trailer here. http://www.imdb.com/video/wab/vi3092426777/
 |
| Amp, Lance and Me |
Another assignment was to take actor SEAN MODICA to the airport. Sean is currently starring in the new movie ALL IN TIME. It's about a guy who quits his job to help a band find success. Sean is a charismatic New Yorker and we had much in common. I'm a native New Yorker and it turns out we went to college in the same area (the Hudson Valley in upstate New York). We shared a similar background in that I grew up in NYC and Sean grew up nearby in Westchester. We're both Catholic -- he's Italian and I'm Irish -- but our New York backgrounds gave us plenty to laugh about and discuss from gay rights, to Pope Francis' upcoming visit and breaking into Hollywood as a writer/actor.
Sean is a writer/producer. He's pitching a show in L.A. It was a pleasure meeting him. I hope his starring role in ALL IN TIME brings him great success! Here is the trailer for his movie. http://www.allintimefilm.com/
So, if a film festival is in your town, don't hesitate to volunteer. It's worth your time and you never know who you might meet along the way. Plus, you get a free T-shirt and snacks and movies. What more could you ask for?
Congratulations to all the wonderful volunteers at the 2015 La Costa Film Festival . Also to Co-Founders Michael and Ruby Callihan, Kirsten Reece running Box Office, Suzanne Wright Program Coordinator, Transportation Chief Amy Savoy, and a special shout out to Volunteer Director Rachel Chapman for organizing 180 volunteers! No easy task. Here is the link if you'd like to volunteer: volunteer2014@lacostafilmfestval.org
The filmmakers I met said this was one of the best organized film festivals they've attended.
Way to go, LCFF Team!
See you next year!
https://www.facebook.com/LaCostaFilmFestival
https://twitter.com/LaCostaFilmFest
https://instagram.com/lacostafilmfestival/
Blog: http://lacostafilmfestival.org/blog/
Tuesday, September 01, 2015
IT'S SEPTEMBER AND THE 3RD LA COSTA FILM FESTIVAL IS COMING SOON!
Janet J. Lawler
September 1st, 2015
Here is the official 2015 Program for the La Costa Film Festival held in Carlsbad, CA starting Sept. 10th-13th.
It's hot off the presses, so be sure to see what new films are coming soon! http://lacostafilmfestival.org/wp-content/uploads/2015/08/LCFF_2015_Catalog.pdf
Get ALL the information you'll need to attend red carpet events, panel discussions with top film and media industry pros and, of course, the new films. There are over 45 films this year. Plenty to choose from including shorts, documentaries and sports films. Here is the official website to buy your tickets: http://lacostafilmfestival.org/
I'll be volunteering and look forward to meeting many of you at the events. Volunteering at film festivals is a super way to give back to your local film community and to meet wonderful, inspiring people in the media industry.
In the past, I have volunteered at the Tribeca Film Festival in NYC, which was a blast.
The La Costa FF promises to be just as exciting!
Until next time.
Follow The NY Screenwriting Life Blog on Facebook.
Janet Lawler's debut novel From the Ground Up is available at Amazon.com. http://www.amazon.com/dp/B00F3CYSU8
Janet J. Lawler
September 1st, 2015
It's hot off the presses, so be sure to see what new films are coming soon! http://lacostafilmfestival.org/wp-content/uploads/2015/08/LCFF_2015_Catalog.pdf
Get ALL the information you'll need to attend red carpet events, panel discussions with top film and media industry pros and, of course, the new films. There are over 45 films this year. Plenty to choose from including shorts, documentaries and sports films. Here is the official website to buy your tickets: http://lacostafilmfestival.org/
I'll be volunteering and look forward to meeting many of you at the events. Volunteering at film festivals is a super way to give back to your local film community and to meet wonderful, inspiring people in the media industry.
In the past, I have volunteered at the Tribeca Film Festival in NYC, which was a blast.
The La Costa FF promises to be just as exciting!
Until next time.
Follow The NY Screenwriting Life Blog on Facebook.
Janet Lawler's debut novel From the Ground Up is available at Amazon.com. http://www.amazon.com/dp/B00F3CYSU8
Saturday, August 22, 2015
Upcoming La Costa Film Festival in CA
3rd Annual La Costa Film Festival
I'm looking forward to attending (and volunteering) at the upcoming La Costa Film Festival in Carlsbad, California held from Sept. 10-13, 2015. Volunteering is a great way to help my local film community and to meet new filmmakers.
Actor John McGinley ("Wall Street" and "Scrubs") will be presented with the Legacy Award at the festival. The four-day LCFF — will be held at the Omni La Costa Resort & Spa (see photos below of this gorgeous resort), Cinepolis Luxury Cinemas-La Costa and the Ruby G. Schulman Auditorium at the Carlsbad Dove Library — and screen more than 45 films.
There are red carpet galas, after parties and FREE Q and A panels with filmmakers making a difference in the film industry. Don't miss these if you're in the Carlsbad area (northern San Diego).
Tickets can be purchased ONLINE at tickets@lacostafilmfestival.org and use the 10% off discount code LCFF2015PARTNER. Here is the film program if you plan to attend. http://lacostafilmfestival.org/2015-film-program/2015-schedule/
The LCFF is founded by Carlsbad residents Michael and Ruby Callihan in 2013, the festival will open with the dramatic comedy All The Time, starring Lynn Cohen, Sean Modica, Laura Shay and Pritesh Shah and co-written and co-directed by Marina Donahue and Christopher Fetchko.
Hope to see you there.
Until next time -- that's a wrap!
I'm looking forward to attending (and volunteering) at the upcoming La Costa Film Festival in Carlsbad, California held from Sept. 10-13, 2015. Volunteering is a great way to help my local film community and to meet new filmmakers.
Actor John McGinley ("Wall Street" and "Scrubs") will be presented with the Legacy Award at the festival. The four-day LCFF — will be held at the Omni La Costa Resort & Spa (see photos below of this gorgeous resort), Cinepolis Luxury Cinemas-La Costa and the Ruby G. Schulman Auditorium at the Carlsbad Dove Library — and screen more than 45 films.
 |
| Omni La Costa Resort in CA |
Tickets can be purchased ONLINE at tickets@lacostafilmfestival.org and use the 10% off discount code LCFF2015PARTNER. Here is the film program if you plan to attend. http://lacostafilmfestival.org/2015-film-program/2015-schedule/
The LCFF is founded by Carlsbad residents Michael and Ruby Callihan in 2013, the festival will open with the dramatic comedy All The Time, starring Lynn Cohen, Sean Modica, Laura Shay and Pritesh Shah and co-written and co-directed by Marina Donahue and Christopher Fetchko.
Hope to see you there.
Until next time -- that's a wrap!
Sunday, August 09, 2015
A Visit to the WGA, West
THE WRITERS GUILD FOUNDATION:
Premier resource for emerging Hollywood writers
by Janet J. Lawler
Want a terrific free resource to help you hone your craft as a screenwriter or TV writer? Free is good since we usually have to dish out cash for contest fees, script coverage, or to take that weekend course with the latest screenwriting guru.
I came across the Writers Guild Foundation Library and Archive this week while in L.A. It's a treasure trove of classic material. Visit if you can. It's located at 7000 W. 3rd Street. Their website is www.wgfoundation.org
You might have thought the WGA, West location was a place to register your latest screenplay, but it's way more than that. The Writers Guild Foundation, within the WGA, is free and open to the public. You don't need credits on IMDB or to have won an Oscar to peruse this magnificent space. It's like a shrine for Hollywood writers.
First, you'll enter its sleek lobby devoted to writers of television and film. Watch videos with renowned writers like Vince Gilligan (his pilot 2005 script for Breaking Bad is encased with the first few pages on display -- note the character UNDERPANTS MAN -- that turned out to be Walter White.)
Other writers featured in the lobby include Callie Khouri (one of my fave writers). Her FIRST (yes, her first!) screenplay Thelma & Louise won the Oscar for Best Original Screenplay.
They also have a section dedicated to the Hollywood Blacklist (no, not the screenwriting website) and one about the Writers Strikes.
I loved reading this letter by studio mogul Jack Warner asking his writers on staff to please be at their desks ready to write at 9am and to put in a full day's work. That has to make you chuckle. Today, it would probably be "please stop surfing the internet and going on Facebook."
Then, enter into the library/archive space (the Billy Wilder Reading Room) and sign in at the desk. Backpacks aren't allowed, but cell phones and laptops are permitted (there were writers at tables typing away on their latest script) -- the library staff will even supply you with a free locker if needed (just leave your ID).
These wonderful archived scripts are separated into Television and Film categories. Peruse books on everything from TV writing, to comedy writing to writing your first draft.
There is a whole section dedicated to the Mary Tyler Moore Show (and show scripts to read), along with Oscar-winning movie scripts, and just about ANY script you'd want to read -- if you don't see it on the shelves, look in the digital catalog or ask for assistance at the front desk (very friendly staff!)
The WGF gives out collectable glossy postcards to take away, one had Shonda Rhimes's original pitch (written in 2003) for Grey's Anatomy, originally titled "Under the Knife".
The Writers Guild Foundation Library & Archive is a must-stop if you're visiting Los Angeles, or already in L.A. It's a fun place for pop culture devotees too.
While you're there, register that new script of yours and pick up the latest WGA signatory agency list. Keep writing!
Until next time.
Janet
Follow The NY Screenwriting Life blog on Facebook. Creator Janet Lawler's first novel From the Ground Up is available on Amazon http://www.amazon.com/dp/B00F3CYSU8 and Barnes & Noble http://www.barnesandnoble.com/w/from-the-ground-up-janet-j-lawler/1118054396?ean=9781492346623.
Premier resource for emerging Hollywood writers
by Janet J. Lawler
 |
| Know your writing history |
I came across the Writers Guild Foundation Library and Archive this week while in L.A. It's a treasure trove of classic material. Visit if you can. It's located at 7000 W. 3rd Street. Their website is www.wgfoundation.org
You might have thought the WGA, West location was a place to register your latest screenplay, but it's way more than that. The Writers Guild Foundation, within the WGA, is free and open to the public. You don't need credits on IMDB or to have won an Oscar to peruse this magnificent space. It's like a shrine for Hollywood writers.
First, you'll enter its sleek lobby devoted to writers of television and film. Watch videos with renowned writers like Vince Gilligan (his pilot 2005 script for Breaking Bad is encased with the first few pages on display -- note the character UNDERPANTS MAN -- that turned out to be Walter White.)
 |
| Breaking Bad opening from the Pilot 2005 Draft |
 |
| Thelma & Louise screenplay |
 |
| The Hollywood Blacklist |
 |
| History of WGA Strikes |
 |
| Jack Warner letter to his screenwriters about their tardiness |
These wonderful archived scripts are separated into Television and Film categories. Peruse books on everything from TV writing, to comedy writing to writing your first draft.
There is a whole section dedicated to the Mary Tyler Moore Show (and show scripts to read), along with Oscar-winning movie scripts, and just about ANY script you'd want to read -- if you don't see it on the shelves, look in the digital catalog or ask for assistance at the front desk (very friendly staff!)
The WGF gives out collectable glossy postcards to take away, one had Shonda Rhimes's original pitch (written in 2003) for Grey's Anatomy, originally titled "Under the Knife".
 |
| Original Pitch for Grey's Anatomy (2003) |
While you're there, register that new script of yours and pick up the latest WGA signatory agency list. Keep writing!
Until next time.
Janet
Follow The NY Screenwriting Life blog on Facebook. Creator Janet Lawler's first novel From the Ground Up is available on Amazon http://www.amazon.com/dp/B00F3CYSU8 and Barnes & Noble http://www.barnesandnoble.com/w/from-the-ground-up-janet-j-lawler/1118054396?ean=9781492346623.
Tuesday, August 04, 2015
2015 NICHOLL FELLOWSHIP IN SCREENWRITING
WHEN BAD NEWS IS STILL GOOD NEWS
Not Advancing to the Semifinals of the 2015 Nicholl Fellowship in Screenwriting
by Janet J. Lawler
I have to say getting today's news that my script The Tenant didn't advance to the semifinals of the 2015 Nicholl Fellowship in Screenwriting was like a punch in the gut.
As elated as I was weeks ago about making the Nicholl's quarterfinals, today, it's doldrums city. Yeah, screenwriting competitions crush you. You ride that wave of optimism and hope a judge or reader gets your script all the way to the Finals. You advance in one category, but have no guarantee to the next.
Such is life.
Rejection is what us writers are used to. We think we're over one mountain, only to find the climb continues. We can quit or keep pounding the keys.
Fortunately, also today, before I received the Academy's sad email (see below) I was at work on my NEW screenplay. I have outlined some of my index cards for key scenes and acts. They're all laid out on our dining room table. It's daunting to take on a whole new project -- from scratch -- to come up with new characters, conflict and dialogue, to play the movie in your head AND to hope someday it connects with a reader out there. A reader that has the power to get it made and on the big screen.
And there's always the 2016's Nicholl Fellowship.
THANKS to the awesome Greg Beal (Director of the Nicholl Fellowship in Screenwriting) and to all the amazing judges and readers who made the 2015 competition a thrill ride for me. High-five to you and to all those who have advanced to the semifinals! Congratulations!
I look forward to attending the Academy Nicholl Fellowships Awards Ceremony in Beverly Hills on November 4 and meeting my fellow writers.
Until then,
Janet
Not Advancing to the Semifinals of the 2015 Nicholl Fellowship in Screenwriting
by Janet J. Lawler
I have to say getting today's news that my script The Tenant didn't advance to the semifinals of the 2015 Nicholl Fellowship in Screenwriting was like a punch in the gut.
As elated as I was weeks ago about making the Nicholl's quarterfinals, today, it's doldrums city. Yeah, screenwriting competitions crush you. You ride that wave of optimism and hope a judge or reader gets your script all the way to the Finals. You advance in one category, but have no guarantee to the next.
Such is life.
Rejection is what us writers are used to. We think we're over one mountain, only to find the climb continues. We can quit or keep pounding the keys.
Fortunately, also today, before I received the Academy's sad email (see below) I was at work on my NEW screenplay. I have outlined some of my index cards for key scenes and acts. They're all laid out on our dining room table. It's daunting to take on a whole new project -- from scratch -- to come up with new characters, conflict and dialogue, to play the movie in your head AND to hope someday it connects with a reader out there. A reader that has the power to get it made and on the big screen.
 |
| Laying out my new script outline |
THANKS to the awesome Greg Beal (Director of the Nicholl Fellowship in Screenwriting) and to all the amazing judges and readers who made the 2015 competition a thrill ride for me. High-five to you and to all those who have advanced to the semifinals! Congratulations!
I look forward to attending the Academy Nicholl Fellowships Awards Ceremony in Beverly Hills on November 4 and meeting my fellow writers.
Until then,
Janet
August 4, 2015
Dear Janet,
Always
a difficult time of the year for quarterfinalists (and for us) as,
sadly, I have to report that The Tenant did not advance into the
Semifinal
Round of the 2015 Academy Nicholl Fellowships in Screenwriting
competition.
In
terms of score, the scripts remaining at the Quarterfinal level fell
short of the 149 Semifinal screenplays. Throughout this industry, at
studios, production companies and agencies, such judgments are subjective. The fact that The Tenant
was one of 375 scripts selected from the 7,442 entries may bode well for its future.
For
the contact list to be forwarded in the fall to agents, development
executives, managers and producers who request it, we’ll use the contact
information you have given us. Check your information below to ensure
it is correct.
If you elected not to release either your phone number or email, “Withheld by writer.” will
be displayed. If you have chosen not to include your logline, “Logline withheld by writer.” will be displayed.
Writer: Janet J. Lawler
Screenplay Title: The Tenant
Genre: Drama, Dark
If
you elected to view the comments readers wrote about your script, those
will become accessible in your online account by September 1st
(simply
click tab 7). In October, be on the lookout for an email invitation to
the Academy Nicholl Fellowships Awards Ceremony to be held in Beverly
Hills on November 4.
In November, we
plan to post the lists of Quarterfinalists, Semifinalists, Finalists and Fellows on the Nicholl pages at
the Academy’s Web site and on the Nicholl Facebook page.
In
January, we'll email you news about the 2016 Academy Nicholl
competition, which will include a list of this year's Fellowship
winners.
If past experience means anything, several Quarterfinalists will soon become professional screenwriters.
Best of luck in all your future endeavors.
Sincerely,
Greg Beal
Director
Nicholl Fellowships in Screenwriting
Sunday, July 26, 2015
NEW BBC POLL DISSES SOME OF OSCARS BEST PICTURES AND NOMINATIONS
by Janet Lawler
This week the BBC conducted a new poll asking what are the 100 greatest American films. You might be surprised and shocked that many Oscar winners for Best Picture and Nominations didn't make the cut. The Deer Hunter? Nope. Sorry.
Which movies are your favorites? I've highlighted my picks. These movies impacted my life. Probably did yours too. Certain movies stick with you for a lifetime or remind us where we were when we first saw them. I'm sure your list will be different than mine, but that's because different stories speak to different audiences. Maybe you're a Billy Wilder fan, or a Alfred Hitchcock aficionado, or a lover of Sci-Fi.
But, seriously, how could they leave The Sound of Music off this list?
The 100 greatest American film
100. Ace in the Hole (Billy Wilder, 1951)
99. 12 Years a Slave (Steve McQueen, 2013)
98. Heaven’s Gate (Michael Cimino, 1980)
97. Gone With the Wind (Victor Fleming, 1939)
96. The Dark Knight (Christopher Nolan, 2008)
95. Duck Soup (Leo McCarey, 1933)
94. 25th Hour (Spike Lee, 2002)
93. Mean Streets (Martin Scorsese, 1973)
92. The Night of the Hunter (Charles Laughton, 1955)
91. ET: The Extra-Terrestrial (Steven Spielberg, 1982)
90. Apocalypse Now (Francis Ford Coppola, 1979)
89. In a Lonely Place (Nicholas Ray, 1950)
88. West Side Story (Robert Wise and Jerome Robbins, 1961)
87. Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)
86. The Lion King (Roger Allers and Rob Minkoff, 1994)
85. Night of the Living Dead (George A Romero, 1968) This movie terrified me as a kid!
84. Deliverance (John Boorman, 1972)
83. Bringing Up Baby (Howard Hawks, 1938)
82. Raiders of the Lost Ark (Steven Spielberg, 1981)
81. Thelma & Louise (Ridley Scott, 1991)
80. Meet Me in St Louis (Vincente Minnelli, 1944)
79. The Tree of Life (Terrence Malick, 2011)
78. Schindler’s List (Steven Spielberg, 1993)
77. Stagecoach (John Ford, 1939)
76. The Empire Strikes Back (Irvin Kershner, 1980)
75. Close Encounters of the Third Kind (Steven Spielberg, 1977)
74. Forrest Gump (Robert Zemeckis, 1994)
73. Network (Sidney Lumet, 1976) Sidney Lumet is one of my favorite directors.
72. The Shanghai Gesture (Josef von Sternberg, 1941)
71. Groundhog Day (Harold Ramis, 1993)
70. The Band Wagon (Vincente Minnelli, 1953)
69. Koyaanisqatsi (Godfrey Reggio, 1982)
68. Notorious (Alfred Hitchcock, 1946)
67. Modern Times (Charlie Chaplin, 1936)
66. Red River (Howard Hawks, 1948)
65. The Right Stuff (Philip Kaufman, 1983)
64. Johnny Guitar (Nicholas Ray, 1954)
63. Love Streams (John Cassavetes, 1984)
62. The Shining (Stanley Kubrick, 1980)
61. Eyes Wide Shut (Stanley Kubrick, 1999)
60. Blue Velvet (David Lynch, 1986)
59. One Flew Over the Cuckoo’s Nest (Miloš Forman, 1975)
58. The Shop Around the Corner (Ernst Lubitsch, 1940)
57. Crimes and Misdemeanors (Woody Allen, 1989)
56. Back to the Future (Robert Zemeckis, 1985)
55. The Graduate (Mike Nichols, 1967) Mrs. Robinson... you know the rest.
54. Sunset Boulevard (Billy Wilder, 1950)
53. Grey Gardens (Albert and David Maysles, Ellen Hovde and Muffie Meyer, 1975) Can't turn away.
52. The Wild Bunch (Sam Peckinpah, 1969)
51. Touch of Evil (Orson Welles, 1958)
50. His Girl Friday (Howard Hawks, 1940) LOVE Rosalind Russell!
49. Days of Heaven (Terrence Malick, 1978)
48. A Place in the Sun (George Stevens, 1951)
47. Marnie (Alfred Hitchcock, 1964)
46. It’s a Wonderful Life (Frank Capra, 1946) Speaks to my soul!
45. The Man Who Shot Liberty Valance (John Ford, 1962) John Wayne, Jimmy Stewart, and a spectacular Lee Marvin as the meaner than mean Liberty Valance. Rent it!
44. Sherlock Jr (Buster Keaton, 1924)
43. Letter from an Unknown Woman (Max Ophüls, 1948)
42. Dr Strangelove (Stanley Kubrick, 1964)
41. Rio Bravo (Howard Hawks, 1959)
40. Meshes of the Afternoon (Maya Deren and Alexander Hammid, 1943)
39. The Birth of a Nation (DW Griffith, 1915)
38. Jaws (Steven Spielberg, 1975) Changed the movie business and summer movies. Love it!
37. Imitation of Life (Douglas Sirk, 1959)
36. Star Wars (George Lucas, 1977) What can be said that hasn't already? Theme song still gives us chills.
35. Double Indemnity (Billy Wilder, 1944)
34. The Wizard of Oz (Victor Fleming, 1939) Come here, my pretty!
33. The Conversation (Francis Ford Coppola, 1974) Now that's a thriller.
32. The Lady Eve (Preston Sturges, 1941)
31. A Woman Under the Influence (John Cassavetes, 1974)
30. Some Like It Hot (Billy Wilder, 1959) "Well, nobody's perfect." Amen to that!
29. Raging Bull (Martin Scorsese, 1980)
28. Pulp Fiction (Quentin Tarantino, 1994) Had me scratching my head the first time I saw it, but then I came to admire every aspect of this film.
27. Barry Lyndon (Stanley Kubrick, 1975)
26. Killer of Sheep (Charles Burnett, 1978)
25. Do the Right Thing (Spike Lee, 1989) Unfortunately, still relevant for our times.
24. The Apartment (Billy Wilder, 1960) Shirley MacLaine stole hearts.
23. Annie Hall (Woody Allen, 1977) Ah, New York.
22. Greed (Erich von Stroheim, 1924)
21. Mulholland Drive (David Lynch, 2001)
20. Goodfellas (Martin Scorsese, 1990) "I'm funny how, I mean funny like I'm a clown, I amuse you? I make you laugh."
19. Taxi Driver (Martin Scorsese, 1976) "You talkin' to... " you know the rest.
18. City Lights (Charlie Chaplin, 1931)
17. The Gold Rush (Charlie Chaplin, 1925)
16. McCabe & Mrs Miller (Robert Altman, 1971)
15. The Best Years of Our Lives (William Wyler, 1946)
14. Nashville (Robert Altman, 1975)
13. North by Northwest (Alfred Hitchcock, 1959)
12. Chinatown (Roman Polanski, 1974) Screenwriter's bible
11. The Magnificent Ambersons (Orson Welles, 1942)
10. The Godfather Part II (Francis Ford Coppola, 1974) "Keep your friends close, but your enemies closer." Michael Corleone
9. Casablanca (Michael Curtiz, 1942)
8. Psycho (Alfred Hitchcock, 1960) Still makes me shower with one eye open!
7. Singin’ in the Rain (Stanley Donen and Gene Kelly, 1952)
6. Sunrise (FW Murnau, 1927)
5. The Searchers (John Ford, 1956)
4. 2001: A Space Odyssey (Stanley Kubrick, 1968)
3. Vertigo (Alfred Hitchcock, 1958)
2. The Godfather (Francis Ford Coppola, 1972) "It's not personal, Sonny, it's strictly business."
Don Corleone: Tell me, do you spend time with your family?
Johnny Fontane: Sure I do.
Don Corleone: Good. Because a man who doesn't spend time with his family can never be a real man.
1. Citizen Kane (Orson Welles, 1941)
Until next time.
You can follow The NY Screenwriting Life on Facebook. Janet Lawler's debut novel From the Ground Up is available on Amazon and Barnes and Noble. http://www.amazon.com/dp/B00F3CYSU8
by Janet Lawler
Which movies are your favorites? I've highlighted my picks. These movies impacted my life. Probably did yours too. Certain movies stick with you for a lifetime or remind us where we were when we first saw them. I'm sure your list will be different than mine, but that's because different stories speak to different audiences. Maybe you're a Billy Wilder fan, or a Alfred Hitchcock aficionado, or a lover of Sci-Fi.
 |
| BACK TO THE FUTURE |
The 100 greatest American film
100. Ace in the Hole (Billy Wilder, 1951)
99. 12 Years a Slave (Steve McQueen, 2013)
98. Heaven’s Gate (Michael Cimino, 1980)
97. Gone With the Wind (Victor Fleming, 1939)
96. The Dark Knight (Christopher Nolan, 2008)
95. Duck Soup (Leo McCarey, 1933)
94. 25th Hour (Spike Lee, 2002)
93. Mean Streets (Martin Scorsese, 1973)
92. The Night of the Hunter (Charles Laughton, 1955)
91. ET: The Extra-Terrestrial (Steven Spielberg, 1982)
90. Apocalypse Now (Francis Ford Coppola, 1979)
89. In a Lonely Place (Nicholas Ray, 1950)
88. West Side Story (Robert Wise and Jerome Robbins, 1961)
87. Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)
86. The Lion King (Roger Allers and Rob Minkoff, 1994)
85. Night of the Living Dead (George A Romero, 1968) This movie terrified me as a kid!
84. Deliverance (John Boorman, 1972)
83. Bringing Up Baby (Howard Hawks, 1938)
82. Raiders of the Lost Ark (Steven Spielberg, 1981)
81. Thelma & Louise (Ridley Scott, 1991)
80. Meet Me in St Louis (Vincente Minnelli, 1944)
79. The Tree of Life (Terrence Malick, 2011)
78. Schindler’s List (Steven Spielberg, 1993)
77. Stagecoach (John Ford, 1939)
76. The Empire Strikes Back (Irvin Kershner, 1980)
75. Close Encounters of the Third Kind (Steven Spielberg, 1977)
74. Forrest Gump (Robert Zemeckis, 1994)
73. Network (Sidney Lumet, 1976) Sidney Lumet is one of my favorite directors.
72. The Shanghai Gesture (Josef von Sternberg, 1941)
71. Groundhog Day (Harold Ramis, 1993)
70. The Band Wagon (Vincente Minnelli, 1953)
69. Koyaanisqatsi (Godfrey Reggio, 1982)
68. Notorious (Alfred Hitchcock, 1946)
67. Modern Times (Charlie Chaplin, 1936)
66. Red River (Howard Hawks, 1948)
65. The Right Stuff (Philip Kaufman, 1983)
64. Johnny Guitar (Nicholas Ray, 1954)
63. Love Streams (John Cassavetes, 1984)
62. The Shining (Stanley Kubrick, 1980)
61. Eyes Wide Shut (Stanley Kubrick, 1999)
60. Blue Velvet (David Lynch, 1986)
59. One Flew Over the Cuckoo’s Nest (Miloš Forman, 1975)
58. The Shop Around the Corner (Ernst Lubitsch, 1940)
57. Crimes and Misdemeanors (Woody Allen, 1989)
56. Back to the Future (Robert Zemeckis, 1985)
55. The Graduate (Mike Nichols, 1967) Mrs. Robinson... you know the rest.
54. Sunset Boulevard (Billy Wilder, 1950)
53. Grey Gardens (Albert and David Maysles, Ellen Hovde and Muffie Meyer, 1975) Can't turn away.
52. The Wild Bunch (Sam Peckinpah, 1969)
51. Touch of Evil (Orson Welles, 1958)
50. His Girl Friday (Howard Hawks, 1940) LOVE Rosalind Russell!
49. Days of Heaven (Terrence Malick, 1978)
48. A Place in the Sun (George Stevens, 1951)
47. Marnie (Alfred Hitchcock, 1964)
46. It’s a Wonderful Life (Frank Capra, 1946) Speaks to my soul!
45. The Man Who Shot Liberty Valance (John Ford, 1962) John Wayne, Jimmy Stewart, and a spectacular Lee Marvin as the meaner than mean Liberty Valance. Rent it!
44. Sherlock Jr (Buster Keaton, 1924)
43. Letter from an Unknown Woman (Max Ophüls, 1948)
42. Dr Strangelove (Stanley Kubrick, 1964)
41. Rio Bravo (Howard Hawks, 1959)
40. Meshes of the Afternoon (Maya Deren and Alexander Hammid, 1943)
39. The Birth of a Nation (DW Griffith, 1915)
38. Jaws (Steven Spielberg, 1975) Changed the movie business and summer movies. Love it!
37. Imitation of Life (Douglas Sirk, 1959)
36. Star Wars (George Lucas, 1977) What can be said that hasn't already? Theme song still gives us chills.
35. Double Indemnity (Billy Wilder, 1944)
34. The Wizard of Oz (Victor Fleming, 1939) Come here, my pretty!
33. The Conversation (Francis Ford Coppola, 1974) Now that's a thriller.
32. The Lady Eve (Preston Sturges, 1941)
31. A Woman Under the Influence (John Cassavetes, 1974)
30. Some Like It Hot (Billy Wilder, 1959) "Well, nobody's perfect." Amen to that!
29. Raging Bull (Martin Scorsese, 1980)
28. Pulp Fiction (Quentin Tarantino, 1994) Had me scratching my head the first time I saw it, but then I came to admire every aspect of this film.
27. Barry Lyndon (Stanley Kubrick, 1975)
26. Killer of Sheep (Charles Burnett, 1978)
25. Do the Right Thing (Spike Lee, 1989) Unfortunately, still relevant for our times.
24. The Apartment (Billy Wilder, 1960) Shirley MacLaine stole hearts.
23. Annie Hall (Woody Allen, 1977) Ah, New York.
22. Greed (Erich von Stroheim, 1924)
21. Mulholland Drive (David Lynch, 2001)
20. Goodfellas (Martin Scorsese, 1990) "I'm funny how, I mean funny like I'm a clown, I amuse you? I make you laugh."
19. Taxi Driver (Martin Scorsese, 1976) "You talkin' to... " you know the rest.
18. City Lights (Charlie Chaplin, 1931)
17. The Gold Rush (Charlie Chaplin, 1925)
16. McCabe & Mrs Miller (Robert Altman, 1971)
15. The Best Years of Our Lives (William Wyler, 1946)
14. Nashville (Robert Altman, 1975)
13. North by Northwest (Alfred Hitchcock, 1959)
12. Chinatown (Roman Polanski, 1974) Screenwriter's bible
11. The Magnificent Ambersons (Orson Welles, 1942)
10. The Godfather Part II (Francis Ford Coppola, 1974) "Keep your friends close, but your enemies closer." Michael Corleone
9. Casablanca (Michael Curtiz, 1942)
8. Psycho (Alfred Hitchcock, 1960) Still makes me shower with one eye open!
7. Singin’ in the Rain (Stanley Donen and Gene Kelly, 1952)
6. Sunrise (FW Murnau, 1927)
5. The Searchers (John Ford, 1956)
4. 2001: A Space Odyssey (Stanley Kubrick, 1968)
3. Vertigo (Alfred Hitchcock, 1958)
2. The Godfather (Francis Ford Coppola, 1972) "It's not personal, Sonny, it's strictly business."
Don Corleone: Tell me, do you spend time with your family?
Johnny Fontane: Sure I do.
Don Corleone: Good. Because a man who doesn't spend time with his family can never be a real man.
1. Citizen Kane (Orson Welles, 1941)
Until next time.
You can follow The NY Screenwriting Life on Facebook. Janet Lawler's debut novel From the Ground Up is available on Amazon and Barnes and Noble. http://www.amazon.com/dp/B00F3CYSU8
Saturday, July 18, 2015
GIDDY WITH GRATITUDE
I often ask myself, "Self, what ever made you want to become a screenwriter?"
Self only has one good answer -- you love movies!
July 17, 2015
Dear Janet,
Congratulations! You have
advanced to the Quarterfinal Round of the 2015 Academy Nicholl
Fellowships in Screenwriting. By doing so, yours is one of only 375
entries to escape the First Round.
With 7,442 scripts entered,
the initial round was extremely competitive and made the selection of
quarterfinalists a difficult task. You may already have an inkling of
the quality of this year’s screenplays if you’ve been following the
reader comment excerpts posted on the Academy Nicholl Facebook page.
To give you an idea of the
selection process, The Tenant was evaluated by three judges drawn from a
diverse group of film professionals. After the top three scores were
tallied, the highest scoring scripts advanced to the Quarterfinals.
During the Quarterfinal
Round, your script will be read by at least two additional judges. As
was the case in the First Round, these judges will read the scripts
without seeing application forms, log lines or prior scores and
comments; they will know nothing about you and your script other than
what is on your script’s pages. We expect that about 150 of the
Quarterfinalist screenplays will advance to the Semifinal Round.
If earnings greater than $25,000 have recently made you ineligible, please let us know as soon as possible via email to nicholl@oscars.org.
Watch for a follow-up email
regarding Quarterfinalist Contact List information and your log line.
That will be sent in about a week or so.
Good luck through the remainder of the competition.
Sincerely,
Greg Beal
Director
Academy Nicholl Fellowships in Screenwriting
www.oscars.org/nicholl
www.facebook.com/nichollfellowships
Greg Beal
Director
Academy Nicholl Fellowships in Screenwriting
www.oscars.org/nicholl
www.facebook.com/nichollfellowships
BREAK OUT THE CHAMPAGNE! Congratulations to ALL the Quarter Finalists. This is a great honor. I'd like to thank the Academy... oh, and of course, my mother. Now fingers crossed for the semifinals round.
Until next time,
JANET
Thursday, July 16, 2015
THE 2015 EMMY NOMINATIONS: EMPIRE SNUBBED; TRANSPARENT GETS A NOD
 |
| Lucious and Cookie |
The TV Academy won't have to deal with Cookie Lyon's wrath. Although they snubbed her hit TV show EMPIRE for an Emmy nom, the actress Taraji P. Henson received one for Outstanding Lead Actress in a Drama Series.
Taraji delivers the heat and the best lines on the FOX show every week. Unfortunately, Terrence Howard (EMPIRE) was overlooked for Outstanding Lead Actor in a Drama Series. The TV Academy may not want to diss Lucious Lyon next year.Other Noms for Outstanding Lead Actor in a Drama Series include: Jon Hamm (Mad Men), Kyle Chandler (Bloodline), Kevin Spacey (House of Cards), Jeff Daniels (Newsroom), Liev Schreiber as Ray Donovan and Better Call Saul's Bob Odenkirk as Jimmy McGill. Pretty tough competition.
Outstanding Drama Series include: HOMELAND, HOUSE OF CARDS, ORANGE IS THE NEW BLACK, DOWNTON ABBEY, BETTER CALL SAUL and GAME OF THRONES.
There are the usual suspects for Outstanding Comedy Series: PARKS AND RECREATION, VEEP and MODERN FAMILY (that show gets funnier each year). The fabulous Amazon show TRANSPARENT received a nod, as well as LOUIE, SILICON VALLEY and UNBREAKABLE KIMMY SCHMIDT.
 |
| Creator Jill Solloway and Cast of Transparent |
The Emmy Awards air on the FOX on Sept. 20th. More categories below.
Outstanding Lead Actor In A Comedy Series
black-ish • ABC • ABC Studios
Anthony Anderson as Andre Johnson
Episodes • Showtime • SHOWTIME Presents, Hat Trick Productions, Crane Klarik Productions
Matt LeBlanc as Matt LeBlanc
House Of Lies • Showtime • SHOWTIME Presents, Crescendo Productions, Refugee Productions, Matthew Carnahan Circus Products
Don Cheadle as Marty Kaan
The Last Man On Earth • FOX • 20th Century Fox Television
Will Forte as Phil Miller
Louie • FX Networks • Pig Newton, Inc. and FX Productions
Louis C.K. as Louie
Shameless • Showtime • SHOWTIME Presents, John Wells Productions, Warner Bros. Television
William H. Macy as Frank Gallagher
Transparent • Amazon Instant Video • Amazon Studios
Jeffrey Tambor as Maura Pfefferman
Outstanding Lead Actress In A Comedy Series
The Comeback • HBO • HBO Entertainment in association with Michael Patrick King Productions, Is or Isn’t Entertainment and Warner Bros. Television
Lisa Kudrow as Valerie Cherish
Grace And Frankie • Netflix • Skydance Productions for Netflix
Lily Tomlin as Frankie
Inside Amy Schumer • Comedy Central • Jax Media
Amy Schumer as Amy
Nurse Jackie • Showtime • SHOWTIME Presents, Lionsgate Television, Jackson Group Entertainment, A Caryn Mandabach Production, Clyde Phillips Productions
Edie Falco as Jackie Peyton
Parks And Recreation • NBC • Deedle-Dee Productions, Fremulon, 3 Arts Entertainment and Universal Television
Amy Poehler as Leslie Knope
Veep • HBO • HBO Entertainment in association with Dundee Productions
Julia Louis-Dreyfus as President Selina Meyer
Until next time.
Monday, May 04, 2015
MOVING FROM NYC to CA
by Janet Lawler
Posted May 4, 2015
Recently, I did something I thought I'd never do.
I left New York.
Yes, I broke up with the greatest city on earth. My city. I didn't just leave it; I left it for another state. California. That sunny, palm-tree swaying, movie crazed, West Coast state.
Why leave New York? In my opinion, there is a time to come to NYC and a time to leave it. It was a hard decision. So, how do I feel now having left it?
Like one feels after any breakup, even the inevitable one: guilty, relieved, sad and yet excited for the new challenges and changes.
I'll forever be a native New Yorker. My childhood and adult roots remain in that glorious, harsh, frantic, dazzling, loud, edgy, concrete jungle.
My most memorable moments from living in NYC?
Oh. So many. Getting married at City Hall; watching the ball drop in Times Square on New Year's Eve, Broadway shows, MSG concerts (Madonna and Fleetwood Mac), having my first play performed in the Big Apple, attending the World Series in 2001 at Yankee Stadium, just a month after 9/11. Game 5 against the AZ Diamondbacks. The Yankees won that game at home. NYPD cops and baseball fans hugged and cried at the end of that World Series game as the song "New York, New York" bellowed at Yankee Stadium in the Bronx.
I'll especially miss all the fabulous friends I made living and working in Queens and Manhattan. From my coworkers, to my neighbors, to family and friends. New Yorkers are a tough, loyal and witty group. So are those I love in CT and NJ.
In March, we packed up the car and drove for 3,000 plus miles across the United States heading west.
It was a SPECTACULAR experience driving across so many states (NY, NJ, PA, OH, IN, IL, MO, OK, TX, AZ and CA) seeing how the "middle" of the country lives -- tasting new foods, meeting new people, staying in roadside hotels and cruising the interstates with truckers. We took our time and visited friends and family we hadn't seen in years. (Sometimes Facebook or emails just don't cut it anymore. You have to make time to SEE people you care about.)
My random road observations: New York is still the charmer with its skyscrapers and Hudson River, but there is a vast, vibrant, diverse country in America. It's not only the East and West Coasters that matter or power this great nation. There are millions of people in between NY and LA that also make a difference. Their pace is slower . There is lots of open land. Gas and restaurants are much cheaper. And, America is also a faithful country, filled with lovely small towns and back roads.
We loved Columbus, Ohio for it's quaint town and parks; Pennsylvania for it's Amish countryside and family-style restaurants; Indiana for its Midwest easiness and universities; Missouri for its Gateway Arch; Texas for it's great steak, BBQ, wineries and Austin flare; Chicago for it's skyline and downtown sites; Oklahoma for its land; Arizona for it's breathtaking mountains, desert and southwestern fare. And, finally, California, well, what can you say? The Pacific Coast glistens. The sunshine lifts your soul. The surfers. The fish tacos. It's a place where you can be whatever you want to be, however you want to be it, and do a little surfing too.
So, again you ask -- no seriously, why did you leave New York?
Well, life is about change. It's about growing. We stayed in the same apartment for over a decade (a 5 story walk up, old apartment). The winters are getting tougher. New York City is a costly place to live short-term and especially long-term. You get more for your buck elsewhere (simple things like a free parking space in your driveway, washer and dryer in your unit, roomier bedrooms, kitchen and living room, stores close by and quality of life.) Now, I wouldn't trade a second of my years in NYC, but it was time to say farewell, for now. We may come back someday; we may not. Who knows?
My other big reason for moving to California is because I love the movies and writing (especially screenplays). So what better place to be than in southern California? It's a kick in the pants here. I always wanted to move to southern California -- now I have. Dreams come true on their own timeline.
So, now my dilemma is with this blog you're reading. The NY Screenwriting Life started in 2005. That's right, over ten years ago! It has over 30,000 hits, thanks to you! So, should I rename it? And if so, to what? Or should I close up shop and start a new blog in CA. I'd welcome any ideas or suggestions.
Well, that's it. I hope my cross country move inspires you to examine your own life. Are you living where you want to live? Working where you want to work? If not, take a risk. Maybe change jobs. Write that screenplay. Make that short film, finally. Drive or fly to a state you've always wanted to visit but haven't found time to do. You'll meet some cool folks along the way.
It's a gorgeous day here in CA. Think I'll go for a walk on the beach.
Until next time.
Follow The NY Screenwriting Life on Facebook. Janet J. Lawler is also a published author and playwright. Her first novel From the Ground Up is available on Amazon and Barnes and Noble online. http://www.amazon.com/From-Ground-Up-Janet-Lawler-ebook/dp/B00F3CYSU8
by Janet Lawler
Posted May 4, 2015
Recently, I did something I thought I'd never do.
I left New York.
Yes, I broke up with the greatest city on earth. My city. I didn't just leave it; I left it for another state. California. That sunny, palm-tree swaying, movie crazed, West Coast state.
 |
| I took this photo in Central Park last fall |
Like one feels after any breakup, even the inevitable one: guilty, relieved, sad and yet excited for the new challenges and changes.
 |
| Moving Day - after 10 years in Astoria |
My most memorable moments from living in NYC?
Oh. So many. Getting married at City Hall; watching the ball drop in Times Square on New Year's Eve, Broadway shows, MSG concerts (Madonna and Fleetwood Mac), having my first play performed in the Big Apple, attending the World Series in 2001 at Yankee Stadium, just a month after 9/11. Game 5 against the AZ Diamondbacks. The Yankees won that game at home. NYPD cops and baseball fans hugged and cried at the end of that World Series game as the song "New York, New York" bellowed at Yankee Stadium in the Bronx.
I'll especially miss all the fabulous friends I made living and working in Queens and Manhattan. From my coworkers, to my neighbors, to family and friends. New Yorkers are a tough, loyal and witty group. So are those I love in CT and NJ.
In March, we packed up the car and drove for 3,000 plus miles across the United States heading west.
It was a SPECTACULAR experience driving across so many states (NY, NJ, PA, OH, IN, IL, MO, OK, TX, AZ and CA) seeing how the "middle" of the country lives -- tasting new foods, meeting new people, staying in roadside hotels and cruising the interstates with truckers. We took our time and visited friends and family we hadn't seen in years. (Sometimes Facebook or emails just don't cut it anymore. You have to make time to SEE people you care about.)
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| A great day in Chicago |
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| Sunset on the Interstate. God bless all the truckers keeping America moving. |
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| Great Texas chow |
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| Sweet Austin, Texas |
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| Superstition Mountains in AZ |
So, again you ask -- no seriously, why did you leave New York?
Well, life is about change. It's about growing. We stayed in the same apartment for over a decade (a 5 story walk up, old apartment). The winters are getting tougher. New York City is a costly place to live short-term and especially long-term. You get more for your buck elsewhere (simple things like a free parking space in your driveway, washer and dryer in your unit, roomier bedrooms, kitchen and living room, stores close by and quality of life.) Now, I wouldn't trade a second of my years in NYC, but it was time to say farewell, for now. We may come back someday; we may not. Who knows?
My other big reason for moving to California is because I love the movies and writing (especially screenplays). So what better place to be than in southern California? It's a kick in the pants here. I always wanted to move to southern California -- now I have. Dreams come true on their own timeline.
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| Surfer in La Jolla, CA |
Well, that's it. I hope my cross country move inspires you to examine your own life. Are you living where you want to live? Working where you want to work? If not, take a risk. Maybe change jobs. Write that screenplay. Make that short film, finally. Drive or fly to a state you've always wanted to visit but haven't found time to do. You'll meet some cool folks along the way.
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| Black Beach in La Jolla |
Until next time.
Follow The NY Screenwriting Life on Facebook. Janet J. Lawler is also a published author and playwright. Her first novel From the Ground Up is available on Amazon and Barnes and Noble online. http://www.amazon.com/From-Ground-Up-Janet-Lawler-ebook/dp/B00F3CYSU8
Saturday, May 02, 2015
SCREENWRITING CONTEST SEASON
Janet J. Lawler
Posted: May 2, 2015
San Diego, CA
It's that time of year when screenwriters across the globe enter their movie scripts in a plethora of writing contests.
It's costly and time-consuming to fill out all the contest applications, but it's a chance to get your work read by industry big shots.
I just uploaded my script The Tenant to the Austin Film Festival, Scriptapalooza, Nicholls Fellowship, Sundance Screenwriting Lab, BlueCat, PAGE International, Big Break and the Writers Lab.
The latter lab received mega publicity when it was announced that Meryl Streep funded the screenwriters lab for women writers over 40, to be run by New York Women in Film and Television and IRIS, a collective of women filmmakers.
How cool is THAT?!
You might recall Meryl Streep jumped out of her seat at this year's Oscars when Patricia Arquette mentioned women's equality during her Best Supporting Actress acceptance speech. It struck a chord. Let's face it, Streep reads a lot of scripts. She apparently sees a lack of women's narrative on the page (and screen) and is doing something about it. Thanks, Meryl, from all the screenwriters (who just happen to be women) and want their voices heard down the cinema from The Avengers.
The official deadline for the Writers Lab is June 1, 2015 at 5PM EST. So if you're a gal over 40, born on or before June 1, 1975 -- and you're a US citizen -- then you have a shot at this writers lab funded by Streep in NY.
You'll also need to have your script registered with the WGA , format your script as a PDF file and pony up the application fee ($25 for NYWIFT members and $55 for non-members). The Lab will take place September 18-20, 2015, at Wiawaka Center for Women, on Lake George. Here is the link to the Writers Lab http://www.nywift.org/article.aspx?id=5503
There are a gazillion contests out there for everyone. So get busy and submit that killer script of yours before the final deadline, or better yet, before the early bird entry deadline.
GOOD LUCK, FELLOW WRITERS!
Until next time.
Be sure to follow The NY Screenwriting Life on Facebook. Janet J. Lawler's novel from the Ground Up is available on Amazon and Barnes & Noble online. http://www.amazon.com/dp/B00F3CYSU8
Janet J. Lawler
Posted: May 2, 2015
San Diego, CA
It's that time of year when screenwriters across the globe enter their movie scripts in a plethora of writing contests.
It's costly and time-consuming to fill out all the contest applications, but it's a chance to get your work read by industry big shots.
I just uploaded my script The Tenant to the Austin Film Festival, Scriptapalooza, Nicholls Fellowship, Sundance Screenwriting Lab, BlueCat, PAGE International, Big Break and the Writers Lab.
 |
| Meryl Streep funds writing lab for women over 40 |
How cool is THAT?!
You might recall Meryl Streep jumped out of her seat at this year's Oscars when Patricia Arquette mentioned women's equality during her Best Supporting Actress acceptance speech. It struck a chord. Let's face it, Streep reads a lot of scripts. She apparently sees a lack of women's narrative on the page (and screen) and is doing something about it. Thanks, Meryl, from all the screenwriters (who just happen to be women) and want their voices heard down the cinema from The Avengers.
The official deadline for the Writers Lab is June 1, 2015 at 5PM EST. So if you're a gal over 40, born on or before June 1, 1975 -- and you're a US citizen -- then you have a shot at this writers lab funded by Streep in NY.
You'll also need to have your script registered with the WGA , format your script as a PDF file and pony up the application fee ($25 for NYWIFT members and $55 for non-members). The Lab will take place September 18-20, 2015, at Wiawaka Center for Women, on Lake George. Here is the link to the Writers Lab http://www.nywift.org/article.aspx?id=5503
There are a gazillion contests out there for everyone. So get busy and submit that killer script of yours before the final deadline, or better yet, before the early bird entry deadline.
GOOD LUCK, FELLOW WRITERS!
Until next time.
Be sure to follow The NY Screenwriting Life on Facebook. Janet J. Lawler's novel from the Ground Up is available on Amazon and Barnes & Noble online. http://www.amazon.com/dp/B00F3CYSU8
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